The life of the spirit may be fairly
represented in diagram as a large acute-angled triangle divided horizontally into unequal parts with the narrowest segment uppermost. The lower the segment the greater it is in breadth, depth, and area.The whole triangle is moving slowly, almost invisibly forwards and upwards. Where the apex was today the second segment is tomorrow; what today can be understood only by the apex and to the rest of the triangle is an incomprehensible gibberish, forms tomorrow the true thought and feeling of the second segment. At the apex of the top segment stands often one man, and only one. His joyful vision cloaks a vast sorrow. Even those who are nearest to him in sympathy do not understand him. Angrily they abuse him as charlatan or madman. So in his lifetime stood Beethoven, solitary and insulted. Wassily Kandinsky (1866 –1944)


Showing posts with label Correspondence. Show all posts
Showing posts with label Correspondence. Show all posts

Sunday, December 14, 2014

Rainer Maria Rilke: Letters (1904)


Borgeby gard, Fladie, Sweden
August 12, 1904

    






I want to talk to you again for a little while, dear Mr. Kappus, although there is almost nothing I can say that will help you, and I can hardly find one useful word. You have had many sadnesses, large ones, which passed. And you say that even this passing was difficult and upsetting for you. But please, ask yourself whether these large sadnesses haven't rather gone right through you. Perhaps many things inside you have been transformed; perhaps somewhere, someplace deep inside your being, you have undergone important changes while you were sad. The only sadnesses that are dangerous and unhealthy are the ones that we carry around in public in order to drown them out with the noise; like diseases that are treated superficially and foolishly, they just withdraw and after a short interval break out again all the more terribly; and gather inside us and are life, are life that is unlived, rejected, lost, life that we can die of. If only it were possible for us to see farther than our knowledge reaches, and even a little beyond the outworks of our presentiment, perhaps we would bear our sadnesses with greater trust than we have in our joys. For they are the moments when something new has entered us, something unknown; our feelings grow mute in shy embarrassment, everything in us withdraws, a silence arises, and the new experience, which no one knows, stands in the midst of it all and says nothing.

     It seems to me that almost all our sadnesses are moments of tension, which we feel as paralysis because we no longer hear our astonished emotions living. Because we are alone with the unfamiliar presence that has entered us; because everything we trust and are used to is for a moment taken away from us; because we stand in the midst of a transition where we cannot remain standing. That is why the sadness passes: the new presence inside us, the presence that has been added, has entered our heart, has gone into its innermost chamber and is no longer even there, is already in our bloodstream. And we don't know what it was. We could easily be made to believe that nothing happened, and yet we have changed, as a house that a guest has entered changes. We can't say who has come, perhaps we will never know, but many signs indicate that the future enters us in this way in order to be transformed in us, long before it happens. And that is why it is so important to be solitary and attentive when one is sad: because the seemingly uneventful and motionless moment when our future steps into us is so much closer to life than that other loud and accidental point of time when it happens to us as if from outside. The quieter we are, the more patient and open we are in our sadnesses, the more deeply and serenely the new presence can enter us, and the more we can make it our own, the more it becomes our fate; and later on, when it "happens" (that is, steps forth out of us to other people), we will feel related and close to it in our innermost being. And that is necessary. It is necessary - and toward this point our development will move, little by little - that nothing alien happen to us, but only what has long been our own. People have already had to rethink so many concepts of motion; and they will also gradually come to realize that what we call fate does not come into us from the outside, but emerges from us. It is only because so many people have not absorbed and transformed their fates while they were living in them that they have not realized what was emerging from them; it was so alien to them that, in their confusion and fear, they thought it must have entered them at the very moment they became aware of it, for they swore they had never before found anything like that inside them. just as people for a long time had a wrong idea about the sun's motion, they are even now wrong about the motion of what is to come. The future stands still, dear Mr. Kappus, but we move in infinite space.

     How could it not be difficult for us?

     And to speak of solitude again, it becomes clearer and clearer that fundamentally this is nothing that one can choose or refrain from. We are solitary. We can delude ourselves about this and act as if it were not true. That is all. But how much better it is to recognize that we are alone; yes, even to begin from this realization. It will, of course, make us dizzy; for all points that our eyes used to rest on are taken away from us, there is no longer anything near us, and everything far away is infinitely far. A man taken out of his room and, almost without preparation or transition, placed on the heights of a great mountain range, would feel something like that: an unequalled insecurity, an abandonment to the nameless, would almost annihilate him. He would feel he was falling or think he was being catapulted out into space or exploded into a thousand pieces: what a colossal lie his brain would have to invent in order to catch up with and explain the situation of his senses. That is how all distances, all measures, change for the person who becomes solitary; many of these changes occur suddenly and then, as with the man on the mountaintop, unusual fantasies and strange feelings arise, which seem to grow out beyond all that is bearable. But it is necessary for us to experience that too. We must accept our reality as vastly as we possibly can; everything, even the unprecedented, must be possible within it. This is in the end the only kind of courage that is required of us: the courage to face the strangest, most unusual, most inexplicable experiences that can meet us. The fact that people have in this sense been cowardly has done infinite harm to life; the experiences that are called it apparitions, the whole so-called "spirit world," death, all these Things that are so closely related to us, have through our daily defensiveness been so entirely pushed out of life that the senses with which we might have been able to grasp them have atrophied. To say nothing of God. But the fear of the inexplicable has not only impoverished the reality of the individual; it has also narrowed the relationship between one human being and another, which has as it were been lifted out of the riverbed of infinite possibilities and set down in a fallow place on the bank, where nothing happens. For it is not only indolence that causes human relationships to be repeated from case to case with such unspeakable monotony and boredom; it is timidity before any new, inconceivable experience, which we don't think we can deal with. But only someone who is ready for everything, who doesn't exclude any experience, even the most incomprehensible, will live the relationship with another person as something alive and will himself sound the depths of his own being. For if we imagine this being of the individual as a larger or smaller room, it is obvious that most people come to know only one corner of their room, one spot near the window, one narrow strip on which they keep walking back and forth. In this way they have a certain security. And yet how much more human is the dangerous in security that drives those prisoners in Poe's stories to feel out the shapes of their horrible dungeons and not be strangers to the unspeakable terror of their cells. We, however, are not prisoners. No traps or snares have been set around us, and there is nothing that should frighten or upset us. We have been put into life as into the element we most accord with, and we have, moreover, through thousands of years of adaptation, come to resemble this life so greatly that when we hold still, through a fortunate mimicry we can hardly be differentiated from everything around us. We have no reason to harbor any mistrust against our world, for it is not against us. If it has terrors, they are our terrors; if it has abysses, these abysses belong to us; if there are dangers, we must try to love them. And if only we arrange our life in accordance with the principle which tells us that we must always trust in the difficult, then what now appears to us as the most alien will become our most intimate and trusted experience. How could we forget those ancient myths that stand at the beginning of all races, the myths about dragons that at the last moment are transformed into princesses? Perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with beauty and courage. Perhaps everything that frightens us is, in its deepest essence, something helpless that wants our love.

     So you mustn't be frightened, dear Mr. Kappus, if a sadness rises in front of you, larger than any you have ever seen; if an anxiety, like light and cloud-shadows, moves over your hands and over everything you do. You must realize that something is happening to you, that life has not forgotten you, that it holds you in its hand and will not let you fall. Why do you want to shut out of your life any uneasiness, any misery, any depression, since after all you don't know what work these conditions are doing inside you? Why do you want to persecute yourself with the question of where all this is coming from and where it is going? Since you know, after all, that you are in the midst of transitions and you wished for nothing so much as to change. If there is anything unhealthy in your reactions, just bear in mind that sickness is the means by which an organism frees itself from what is alien; so one must simply help it to be sick, to have its whole sickness and to break out with it, since that is the way it gets better. In you, dear Mr. Kappus, so much is happening now; you must be patient like someone who is sick, and confident like some one who is recovering; for perhaps you are both. And more: you are also the doctor, who has to watch over himself. But in every sickness there are many days when the doctor can do nothing but wait. And that is what you, insofar as you are your own doctor, must now do, more than anything else.

     Don't observe yourself too closely. Don't be too quick to draw conclusions from what happens to you; simply let it happen. Otherwise it will be too easy for you to look with blame (that is: morally) at your past, which naturally has a share in everything that now meets you. But whatever errors, wishes, and yearnings of your boyhood are operating in you now are not what you remember and condemn. The extraordinary circumstances of a solitary and helpless childhood are so difficult, so complicated, surrendered to so many influences and at the same time so cut off from all real connection with life that, where a vice enters it, one may not simply call it a vice. One must be so careful with names anyway; it is so often the name of an offense that a life shatters upon, not the nameless and personal action itself, which was perhaps a quite definite necessity of that life and could have been absorbed by it without any trouble. And the expenditure of energy seems to you so great only because you overvalue victory; it is not the "great thing" that you think you have achieved, although you are right about your feeling; the great thing is that there was already something there which you could replace that deception with, something true and real. Without this even your victory would have been just a moral reaction of no great significance; but in fact it has be come a part of your life. Your life, dear Mr. Kappus, which I think of with so many good wishes. Do you remember how that life yearned out of childhood toward the "great thing"? I see that it is now yearning forth beyond the great thing toward the greater one. That is why it does not cease to be difficult, but that is also why it will not cease to grow.

     And if there is one more thing that I must say to you, it is this: Don't think that the person who is trying to comfort you now lives untroubled among the simple and quiet words that sometimes give you pleasure. His life has much trouble and sadness, and remains far behind yours. If it were otherwise, he would never have been able to find those words.

                                                                            
                                                                                  Yours,
                                                                 
                                                                                 Rainer Maria Rilke 

Wednesday, December 10, 2014

Emily Dickinson's Letters (1852)


June 11, 1852




I have but one thought, Susie, this afternoon of June, and that of you, and I have one prayer, only; dear Susie, that is for you. That you and I in hand as we e'en do in heart, might ramble away as children, among the woods and fields, and forget these many years, and these sorrowing cares, and each become a child again -- I would it were so, Susie, and when I look around me and find myself alone, I sigh for you again; little sigh, and vain sigh, which will not bring you home.
I need you more and more, and the great world grows wider, and dear ones fewer and fewer, every day that you stay away -- I miss my biggest heart; my own goes wandering round, and calls for Susie -- Friends are too dear to sunder, Oh they are far too few, and how soon they will go away where you and I cannot find them, don't let us forget these things, for their remembrance now will save us many an anguish when it is too late to love them! Susie, forgive me Darling, for every word I say -- my heart is full of you, none other than you is in my thoughts, yet when I seek to say to you something not for the world, words fail me. If you were here -- and Oh that you were, my Susie, we need not talk at all, our eyes would whisper for us, and your hand fast in mine, we would not ask for language -- I try to bring you nearer, I chase the weeks away till they are quite departed, and fancy you have come, and I am on my way through the green lane to meet you, and my heart goes scampering so, that I have much ado to bring it back again, and learn it to be patient, till that dear Susie comes. Three weeks -- they can't last always, for surely they must go with their little brothers and sisters to their long home in the west!
I shall grow more and more impatient until that dear day comes, for till now, I have only mourned for you; now I begin to hope for you.


Dear Susie, I have tried hard to think what you would love, of something I might send you -- I at last say my little Violets, they begged me to let them go, so here they are -- and with them as Instructor, a bit of knightly grass, who also begged the favor to accompany them -- they are but small, Susie, and I fear not fragrant now, but they will speak to you of warm hearts at home, and of something faithful which "never slumbers nor sleeps" -- Keep them 'neath your pillow, Susie, they will make you dream of blue-skies, and home, and the "blessed contrie"! You and I will have an hour with "Edward" and "Ellen Middleton", sometime when you get home -- we must find out if some things contained therein are true, and if they are, what you and me are coming to!
Now, farewell, Susie, and Vinnie sends her love, and mother her's, and I add a kiss, shyly, lest there is somebody there! Don't let them see, willyou Susie?
Emilie 



                                                                                             
                                                                                                                           E. Dickinson

Thursday, December 26, 2013

René Daumal: Letters on the Search for Awakening (1930–1944)


A letter to 
Jeanne de Salzmann




                                                     Pelvoux, August 6, 1943

We received yesterday, Thursday, the transcript  of the 22nd and read it last night—and so more than ever I felt as if I was in “Paris” (I say “Paris” as others say Mecca). Your letter helps me very much. How necessary it is to hear oneself repeating, and repeating yet again, everything one thinks one knows!

First I want to respond to your questions:

1) Has my remembering, my sensation of “I am,” changed? It’s very difficult to respond altogether properly. In my ordinary state, I see above all the negative side: I see myself more and more submerged in a sea of identifications and, the more I work, the more I’m assaulted by all the causes of distraction. My ability to remember myself does not, then, seem to me to have changed very much. But that isn’t true. If I reflect—that is to say, if I confront my ordinary state today with my memory of the best moments of work—I see a slight change. I’ve had several moments, rare and brief, when “I am” had a new taste—new, and at the same time it was like returning to something very ancient and deeply concealed, something at the same time painful and quiet—empty and null, and yet sure of itself, which separates itself from the machine for a few moments and prevails over it. At that moment, my attitude toward my body changes completely. I no longer consider it “mine,” as my property over which I have every right, but rather as something confided to me for certain uses, which can be taken from me from one moment to the next without giving me any cause for protest. And at those moments, in fact I wouldn’t protest. It may be this deep reaction in front of the thought of death that gives me the best measure of the small progress I’ve been able to make in the quality of my remembering. But not in duration. Just there, I feel, is the great work that calls for continuity of effort and patience: “to sustain the effort.”

I also see the distance already covered when I compare the meaning of the word “being” some time ago and today. Some time ago, “being” meant “to delight in oneself”: having reached a certain state, to stop to enjoy it and admire oneself (and from there, what a fall!) Now, “being” means rather to fulfill consciously one’s place and function, and that is why I know that I am not; but I know this only when I say “I am.”

2) Concerning my “concentration of thought”—here, too, if there is a change, it’s in the direction of a struggle that is larger, sharper, more frequent; but if the enemy appears to me stronger and more numerous, it may well be a sign that I have a little more force myself. The fact is that during the exercises, or when I reflect, my thought is now cleanly split in two: in those moments the active part no longer blends with the mechanical part; and the latter I sometimes feel to be quite submissive, no longer bothering me with its associations. But here again, the issue is to make it last longer. As soon as the effort is let go, the flow of associations seems to me much worse than before.

What is developing in these days is the taste and need for struggle. An answer of Mr. Gurdjieff’s about the need to go against the body in everything it likes or does not like has recently shown me this more clearly. It’s certain that in my case I can’t apply this rule to the letter (unfortunately, because in times past when I believed I could, it gave me a great deal). But if, under the word “body,” I also include everything that is most mechanical in my functions, an entire field of work opens up. With my intellectual mechanism, in particular, I can apply the rule of thwarting it in everything, of opposing myself to its tics, its manias, its clichés, etc.—in a word, its laziness. It goes without saying that this makes my work as a writer more difficult, but much more interesting and inwardly fruitful.


Yes, I do the exercises, and I shall try to do them better and better, in the spirit you ask: “as a service” and “as one learns a trade.” The work is more and more a work “on myself” rather than a work “for myself.” The greatest satisfactions I now have in my work are the moments when I observe that the “personal” element has become less strong. It’s difficult to say, but I feel very clearly today that “I am” is just the contrary of “I, me, my."

Tuesday, December 17, 2013

Fyodor Michailovitch Dostoevsky: Letters to his family and friends (1879)

   
  Philosophy 
             and the Poet 




How long since I've written to you, dear brother ! That hateful examination it prevented me from writing to you and Papa, and from looking up I. N. Schidlovsky.  And what came of it all ? I have not yet been promoted. O horror ! to live another whole year in this misery ! I should not have been so furious did I not know that I am the victim of the sheerest baseness. The failure would not have worried me so very much, if our poor father's tears had not burned into my soul. I had not hitherto known the sensation of wounded vanity. If such a feeling had got hold of me, I might well have blushed for myself. . . . But now you must know that I should like to crush the whole world at one blow. . . . I lost so much time before the examination, and was ill and miserable besides ; but underwent it in the fullest and most literal sense of the word, and yet have failed. ... It is the decree of the Professor of Algebra, to whom, in the course of the year, I had been somewhat cheek, and who was base enough to remind me of it today, while ostensibly explaining to me the reason for my failure. Out of ten full marks I got an average of nine and a half, and yet I'm left. . . . But hang it all, if I must suffer, I will. . . . I'll waste no more paper on this topic, for I so seldom have an opportunity to talk with you.


My friend, you philosophize like a poet. And just because the soul cannot be forever in a state of exaltation, your philosophy is not true and not just. To know more, one must feel less, and vice versa. Your judgment is feather-headed it is a delirium of the heart. What do you mean precisely by the word know ? Nature, the soul, love, and God, one recognizes through the heart, and not through the reason. Were we spirits, we could dwell in that region of ideas over which our souls hover, seeking the solution. But we are earth-born beings, and can only guess at the Idea not grasp it by all sides at once. The guide for our intelligences through the temporary illusion into the innermost centre of the soul is called Reason. Now, Reason is a material capacity, while the soul or spirit lives on the thoughts which are whispered by the heart. Thought is born in the soul. Reason is a tool, a machine, which is driven by the spiritual fire. 

When human reason (which would demand a chapter for itself) penetrates into the domain of knowledge, it works independently of the feeling, and consequently of the heart. But when our aim is the understanding of love or of nature, we march towards the very citadel of the heart. I don't want to vex you, but I do want to
say that I don't share your views on poetry or philosophy. Philosophy cannot be regarded as a mere equation where nature is the unknown quantity ! Remark that the poet, in the moment of inspiration, comprehends God, and consequently does the philosopher's work. Consequently poetic inspiration is nothing less than philosophical inspiration. Consequently philosophy is nothing but poetry, a higher
degree of poetry ! It is odd that you reason quite in the sense of our contemporary philosophy. What a lot of crazy systems have been born of late in the cleverest and most ardent brains ! To get a right result from this motley troop one would have to
subject them all to a mathematical formula. And yet they are the " laws " of our contemporary philosophy ! I have jabbered enough. And if I look upon your flabby system as impossible, I think it quite likely that my objections are no less flabby, so
I won't bother you with any more of them.


Brother, it is so sad to live without hope ! When I look forward I shudder at the future. I move in a cold arctic atmosphere, wherein no sunlight ever pierces. For a long time I have not had a single outbreak of inspiration. . . . Hence I feel as the Prisoner of Chillon felt after his brother's death. The Paradise-bird of poetry will never, never visit me again never again warm my frozen soul. You say that I am reserved; but all my former dreams have long since forsaken me, and from those glorious arabesques that I once could fashion all the gilding has disappeared. The thoughts that used to kindle my soul and heart have lost their glow and ardency;
or else my heart is numbed, or else. ... I am afraid to go on with that sentence. I won't admit that all the past was a dream, a bright golden dream.


Brother, I have read your poem. It urged some tears from my soul, and lulled it for a while by the spell of memories. You say that you have an idea for a drama. I am glad of that. Write your drama, then. If you had not these last crumbs from the Elysiaijt feast, what would be left you in life ? I am so sorry that these last few weeks I have not been able to look up Ivan Nikolayevitch (Schidlovsky) ; I was ill. Now listen. I think that the poet's inspiration is increased by success. Byron was an egoist ; his longing for fame was petty. But the mere thought that through one's inspiration there will one day lift itself from the dust to heaven's heights some noble, beautiful human soul; the thought that those lines over which one has wept are consecrated as by a heavenly rite through one's inspiration, and that over them the coming generations will weep in echo . . . that thought, I am convinced, has come to many a poet in the very moment of his highest creative rapture. But the shouting of the mob is empty and vain. There occur to me those lines of Pushkin, where he describes the mob and the poet :


                                          " So let the foolish crowd, thy work despising, scream,
                                                         And spit upon the shrine where burns thy fire supreme,
                                                        Let them in childish arrogance thy tripod set a-tremble. . . ."


Wonderful, isn't it ? Farewell.




Letter to his brother Michael, 
Petersburg, October 31, 1838
Translated by  
Ethel Goldburn Wayne