The life of the spirit may be fairly
represented in diagram as a large acute-angled triangle divided horizontally into unequal parts with the narrowest segment uppermost. The lower the segment the greater it is in breadth, depth, and area.The whole triangle is moving slowly, almost invisibly forwards and upwards. Where the apex was today the second segment is tomorrow; what today can be understood only by the apex and to the rest of the triangle is an incomprehensible gibberish, forms tomorrow the true thought and feeling of the second segment. At the apex of the top segment stands often one man, and only one. His joyful vision cloaks a vast sorrow. Even those who are nearest to him in sympathy do not understand him. Angrily they abuse him as charlatan or madman. So in his lifetime stood Beethoven, solitary and insulted. Wassily Kandinsky (1866 –1944)


Showing posts with label Freemasonry. Show all posts
Showing posts with label Freemasonry. Show all posts

Monday, April 8, 2013

Manly Palmer Hall: The secret teachings of all ages (1928)


   The 
     Dionysiac 
             Architects 



The most celebrated of the ancient fraternities of artisans was that of the Dionysiac Architects. This organization was composed exclusively of initiates of the Bacchus-Dionysos cult and was peculiarly consecrated to the science of building and the art of decoration. Acclaimed as being the custodians of a secret and sacred knowledge of architectonics, its members were entrusted with the design and erection of public buildings and monuments. The superlative excellence of their handiwork elevated the members of the guild to a position of surpassing dignity; they were regarded as the master craftsmen of the earth. Because of the first dances held in honor of Dionysos, he was considered the founder and patron of the theater, and the Dionysians specialized in the construction of buildings adapted for the presentation of dramatic performances. In the circular or semicircular orchestra they invariably erected an altar to  Æschylus, the famous Greek poet, that while appearing in one of his own plays he was suspected by a mob of angry spectators of revealing one of the profound secrets of the Mysteries and was forced to seek refuge at the altar of Dionysos. So carefully did the Dionysiac Architects safeguard the secrets of their craft that only fragmentary records exist of their esoteric teachings. John A. Weisse thus sums up the meager data available concerning the order:

"They made their appearance certainly not later than 1000 B.C., and appear to have enjoyed particular privileges and immunities. They also possessed secret means of recognition, and were bound together by special ties only known to themselves. The richer of this fraternity were bound to provide for their poorer brethren. They were divided into communities, governed by a Master and Wardens, and called γυνοικιαι (connected houses). They held a grand festival annually, and were held in high esteem. Their ceremonials were regarded as sacred. It has been claimed that Solomon, at the instance of Hiram, King of Tyre, employed them at his temple and palaces. They were also employed at the construction of the Temple of Diana at Ephesus. They had means of intercommunication all over the then known world, and from them, doubtless, sprang the guilds of the Traveling Masons known in the Middle Ages." (See The Obelisk and Freemasonry.)

The fraternity of the Dionysiac Architects spread throughout all of Asia Minor, even reaching Egypt and India. They established themselves in nearly all the countries bordering on the Mediterranean, and with the rise of the Roman Empire found their way into Central Europe and even into England. The most stately and enduring buildings in Constantinople, Rhodes, Athens, and Rome were erected by these inspired craftsmen. One of the most illustrious of their number was Vitruvius, the great architect, renowned as the author of De Architectura Libri Decem. In the various sections of his book Vitruvius gives several hints as to the philosophy underlying the Dionysiac concept of the principle of symmetry applied to the science of architecture, as derived from a consideration of the proportions established by Nature between the parts and members of the human body. The following extract from Vitruvius on the subject of symmetry is representative:

"The design of a temple depends on symmetry, the principles of which must be most carefully observed by the architect. They are due to proportion, in ἀναλογία. Proportion is a correspondence among the measures of the members of an entire work, and of the whole to a certain part selected as standard. From this result the principles of symmetry. Without symmetry and proportion there can be no principles in the design of any temple; that is, if there is no precise relation between its members, as in the case of those of a well shaped man. For the human body is so designed by nature that the face, from the chin to the top of the forehead and the lowest roots of the hair, is a tenth part of the whole height; the open hand from the wrist to the tip of the middle finger is just the same; the head from the chin to the crown is an eighth, and with the neck and shoulder from the top of the breast to the lowest roots of the hair is a sixth; from the middle of the breast to the summit of the crown is a fourth. If we take the height of the face itself, the distance from the bottom of the chin to the under side of the nostrils [and from that point] to a line between the eyebrows is the same; from there to the lowest roots of the hair is also a third, comprising the forehead. The length of the foot is one sixth of the height of the body; of the forearm, one fourth; and the breadth of the breast is also one fourth. The other members, too, have their own symmetrical proportions, and it was by employing them that the famous painters and sculptors of antiquity attained to great and endless renown."

The edifices raised by the Dionysiac Builders were indeed "sermons in stone." Though unable to comprehend fully the cosmic principles thus embodied in these masterpieces of human ingenuity and industry, even the uninitiated were invariably overwhelmed by the sense of majesty and symmetry resulting from the perfect coordination of pillars, spans, arches, and domes. By variations in the details of size, material, type, arrangement, ornamentation, and color, these inspired builders believed it possible to provoke in the nature of the onlooker certain distinct mental or emotional reactions. Vitruvius, for example, describes the disposition of bronze vases about a room so as to produce certain definite changes in the tone and quality of the human voice. In like manner, each chamber in the Mysteries through which the candidate passed had its own peculiar acoustics. Thus in one chamber the voice of the priest was amplified until his words caused the very room to vibrate, while in another the voice was diminished and softened to such a degree that it sounded like the distant tinkling of silver bells. Again, in some of the underground passageways the candidate was apparently bereft of the power of speech, for though he shouted at the top of his voice not even a whisper was audible to his ears. After progressing a few feet, however, he would discover that his softest sigh would be reechoed a hundred times. 

The supreme ambition of the Dionysiac Architects was the construction of buildings which would create distinct impressions consistent with the purpose for which the structure itself was designed. In common with the Pythagoreans, they believed it possible by combinations of straight lines and curves to induce any desired mental attitude or emotion. They labored, therefore, to the end of producing a building perfectly harmonious with the structure of the universe itself. They may have even believed that an edifice so constructed because it was in no respect at variance with any existing reality would not be subject to dissolution but would endure throughout the span of mortal time. As a logical deduction from their philosophic trend of thought, such a building--en rapport with Cosmos--would also have become an oracle. Certain early works on magical philosophy hint that the Ark of the Covenant was oracular in character because of specially prepared chambers in its interior. These by their shape and arrangement were so attuned to the vibrations of the invisible world that they caught and amplified the voices of the ages imprinted upon and eternally existent in the substance of the astral light.

Unskilled in these ancient subtleties of their profession, modern architects often create architectural absurdities which would cause their creators to blush with shame did they comprehend their actual symbolic import. Thus, phallic emblems are strewn in profusion among the adornments of banks, office buildings, and department stores. Christian churches also may be surmounted with Brahmin or Mohammedan domes or be designed in a style suitable for a Jewish synagogue or a Greek temple to Pluto. These incongruities may be considered trivial in importance by the modern designer, but to the trained psychologist the purpose for which a building was erected is frustrated in large measure by the presence of such architectural discordances. Vitruvius thus defines the principle of propriety as conceived and applied by the Dionysians:

"Propriety is that: perfection of style which comes when a work is authoritatively constructed on approved principles. It arises from prescription (Greek θεματισμῷ), from usage, or from nature. From prescription, in the case of hypæthral edifices, open to the sky, in honour of Jupiter Lightning, the Heaven, the Sun, or the Moon: for these are gods whose semblances and manifestations we behold before our very eyes in the sky when it is cloudless and bright. The temples of Minerva, Mars, and Hercules will be Doric, since the virile strength of these gods makes daintiness entirely inappropriate to their houses. In temples to Venus, Flora, Proserpine, Spring-Water, and the Nymphs, the Corinthian order will be found to have peculiar significance, because these are delicate divinities and so its rather slender outlines, its flowers, leaves, and ornamental volutes will lend propriety where it is due. The construction of temples of the Ionic order to Juno, Diana, Father Bacchus, and the other gods of that kind, will be in keeping with the middle position which they hold; for the building of such will be an appropriate combination of the severity of the Doric and the delicacy of the Corinthian."


In describing the societies of Ionian artificers, Joseph Da Costa declares the Dionysiac rites to have been founded upon the science of astronomy, which by the initiates of this order was correlated to the builder's art. In various documents dealing with the origin of architecture are found hints to the effect that the great buildings erected by these initiated craftsmen were based upon geometrical patterns derived from the constellations. Thus, a temple might be planned according to the constellation of Pegasus or a court of judgment modeled after the constellation of the Scales. The Dionysians evolved a peculiar code by which they were able to communicate with one another in the dark and both the symbols and the terminology of their guild were derived, in the main, from the elements of architecture.

While stigmatized as pagans by reason of their philosophic principles, it is noteworthy that these Dionysiac craftsmen were almost universally employed in the erection of early Christian abbeys and cathedrals, whose stones even to this very day bear distinguishing marks and symbols cut into their surfaces by these illustrious builders. Among the ornate carvings upon the fronts of great churches of the Old World are frequently found representations of compasses, squares, rules, mallets, and clusters of builders' tools skillfully incorporated into mural decorations and even placed in the hands of the effigies of saints and prophets standing in exalted niches. A great mystery was contained in the ancient portals of the Cathedral Of Notre Dame which were destroyed during the French Revolution, for among their carvings were numerous Rosicrucian and Masonic emblems; and according to the records preserved by alchemists who studied their bas-reliefs, the secret processes for metallic transmutation were set forth in their grotesque yet most significant figures.

The checkerboard floor upon which the modern Freemasonic lodge stands is the old tracing board of the Dionysiac Architects, and while the modern organization is no longer limited to workmen's guilds it still preserves in its symbols the metaphysical doctrines of the ancient society of which it is presumably the outgrowth. The investigator of the origin of Freemasonic symbolism who desires to trace the development of the order through the ages will find a practical suggestion in the following statement of Charles W. Heckethorn:

"But considering that Freemasonry is a tree the roots of which spread through so many soils, it follows that traces thereof must be found in its fruit; that its language and ritual should retain much of the various sects and institutions it has passed through before arriving at their present state, and in Masonry we meet with Indian, Egyptian, Jewish, and Christian ideas, terms therefrom the supreme ambition of their craft and symbols." (See The Secret Societies of All Ages and Countries.)

The Roman Collegia of skilled architects were apparently a subdivision of the greater Ionian body, their principles and organization being practically identical with the older Ionian institution. It has been suspected that the Dionysians also profoundly influenced early Islamic culture, for part of their symbolism found its way into the Mysteries of the dervishes. At one time the Dionysians referred to themselves as Sons of Solomon, and one of the most important of their symbols was the Seal of Solomon--two interlaced triangles. This motif is frequently seen in conspicuous parts of Mohammedan mosques. The Knights Templars--who were suspected of anything and everything--are believed to have contacted these Dionysiac artificers and to have introduced many of their symbols and doctrines into mediæval Europe. But Freemasonry most of all owes to the Dionysiac cult the great mass of its symbols and rituals which are related to the science of architecture. From these ancient and illustrious artisans it also received the legacy of the unfinished Temple of Civilization-that vast, invisible structure upon which these initiated builders have labored continuously since the inception of their fraternity. This mighty edifice, which has fallen and been rebuilt time after time but whose foundations remain unmoved, is the true Everlasting House of which the temple on the brow of Mount Moriah was but an impermanent symbol.

Aside from the operative aspect of their order, the Dionysiac Architects had a speculative philosophic code. Human society they considered as a rough and untrued ashlar but lately chiseled from the quarry of elemental Nature. This crude block was the true object upon which these skilled craftsmen labored--polishing it, squaring it, and with the aid of fine carvings transforming it into a miracle of beauty. While mystics released their souls from the bondage of matter by meditation and philosophers found their keenest joy in the profundities of thought, these master workmen achieved liberation from the Wheel of Life and Death by learning to swing their hammers with the same rhythm that moves the swirling forces of Cosmos. They venerated the Deity under the guise of a Great Architect and Master Craftsman who was ever gouging rough ashlars from the fields of space and truing them into universes. The Dionysians affirmed constructiveness to be the supreme expression of the soul, and attuning themselves with the ever-visible constructive natural processes going on around them, believed immortality could be achieved by thus becoming a part of the creative agencies of Nature. 




Wednesday, May 9, 2012

Albert Pike: Morals and Dogma (1809–1891)

Royal Arch 
             of Solomon 



WHETHER the legend and history of this Degree are historically true, or but an allegory, containing in itself a deeper truth and a profounder meaning, we shall not now debate. If it be but a legendary myth, you must find out for yourself what it means. It is certain that the word which the Hebrews are not now permitted to pronounce was in common use by Abraham, Lot, Isaac, Jacob, Laban, Rebecca, and even among tribes foreign to the Hebrews, before the time of Moses; and that it recurs a hundred times in the lyrical effusions of David and other Hebrew poets. We know that for many centuries the Hebrews have been forbidden to pronounce the Sacred Name; that wherever it occurs, they have for ages read the word Adonaï instead; and that under it, when the masoretic points, which represent the vowels, came to be used, they placed those which belonged to the latter word. The possession of the true pronunciation was deemed to confer on him who had it extraordinary and supernatural powers; and the Word itself, worn upon the person, was regarded as an amulet, a protection against personal danger, sickness, and evil spirits. We know that all this was a vain superstition, natural to a rude people, necessarily disappearing as the intellect of man became enlightened; and wholly unworthy of a Mason.

It is noticeable that this notion of the sanctity of the Divine Name or Creative Word was common to all the ancient nations. The Sacred Word HOM was supposed by the ancient Persians (who were among the earliest emigrants from Northern India) to be pregnant with a mysterious power; and they taught that by its utterance the world was created. In India it was forbidden to pronounce the word AUM or OM, the Sacred Name of the One Deity, manifested as Brahma, Vishna, and Seeva.

These superstitious notions in regard to the efficacy of the Word, and the prohibition against pronouncing it, could, being errors, have formed no part of the pure primitive religion, or of the esoteric doctrine taught by Moses, and the full knowledge of which was confined to the Initiates; unless the whole was but an ingenious invention for the concealment of some other Name or truth, the interpretation and meaning whereof was made known only to the select few. If so, the common notions in regard to the Word grew up in the minds of the people, like other errors and fables among all the ancient nations, out of original truths and symbols and allegories misunderstood. So it has always been that allegories, intended as vehicles of truth, to be understood by the sages, have become or bred errors, by being literally accepted.

It is true, that before the masoretic points were invented (which was after the beginning of the Christian era), the pronunciation of a word in the Hebrew language could not be known from the characters in which it was written. It was, therefore, possible for that of the name of the Deity to have been forgotten and lost. It is certain that its true pronunciation is not that represented by the word Jehovah; and therefore that that is not the true name of Deity, nor the Ineffable Word.

The ancient symbols and allegories always had more than one interpretation. They always had a double meaning, and sometimes more than two, one serving as the envelope of the other. Thus the pronunciation of the word was a symbol; and that pronunciation and the word itself were lost, when the knowledge of the true nature and attributes of God faded out of the minds of the Jewish people. That is one interpretation--true, but not the inner and profoundest one.

Men were figuratively said to forget the name of God, when they lost that knowledge, and worshipped the heathen deities, and burned incense to them on the high places, and passed their children through the fire to Moloch.

Thus the attempts of the ancient Israelites and of the Initiates to ascertain the True Name of the Deity, and its pronunciation, and the loss of the True Word, are an allegory, in which are represented the general ignorance of the true nature and attributes of God, the proneness of the people of Judah and Israel to worship other deities, and the low and erroneous and dishonoring notions of the Grand Architect of the Universe, which all shared except a few favored persons; for even Solomon built altars and sacrificed to Astarat, the goddess of the Tsidunim, and Malcu_m, the Aamu_nite god, and built high places for Kamu_s, the Moabite deity, and Malec the god of the Beni-Aamu_n. The true nature of God was unknown to them, like His name; and they worshipped the calves of Jeroboam, as in the desert they did that made for them by Aaru_n.

The mass of the Hebrews did not believe in the existence of one only God until a late period in their history. Their early and popular ideas of the Deity were singularly low and unworthy. Even while Moses was receiving the law upon Mount Sinai, they forced Aaron to make them an image of the Egyptian god Apis, and fell down and adored it. They were ever ready to return to the worship of the gods of the Mitzraim; and soon after the death of Joshua they became devout worshippers of the false gods of all the surrounding nations. "Ye have borne," Amos, the prophet, said to them, speaking of their forty years' journeying in the desert, under Moses, "the tabernacle of your Malec and Kaiu_n your idols, the star of your god, which ye made to yourselves."

Among them, as among other nations, the conceptions of God formed by individuals varied according to their intellectual and spiritual capacities; poor and imperfect, and investing God with the commonest and coarsest attributes of humanity, among the ignorant and coarse; pure and lofty among the virtuous and richly gifted. These conceptions gradually improved and became purified and ennobled, as the nation advanced in civilization--being lowest in the historical books, amended in the prophetic writings, and reaching their highest elevation among the poets.

Among all the ancient nations there was one faith and one idea of Deity for the enlightened, intelligent, and educated, and another for the common people. To this rule the Hebrews were no exception. Yehovah, to the mass of the people, was like the gods of the nations around them, except that he was the peculiar God, first of the family of Abraham, of that of Isaac, and of that of Jacob, and afterward the National God; and, as they believed, more powerful than the other gods of the same nature worshipped by their neighbors--"Who among the Baalim is like unto thee, O Yehovah?"--expressed their whole creed.

The Deity of the early Hebrews talked to Adam and Eve in the garden of delight, as he walked in it in the cool of the day; he conversed with Kayin; he sat and ate with Abraham in his tent; that patriarch required a visible token, before he would believe in his positive promise; he permitted Abraham to expostulate with him, and to induce him to change his first determination in regard to Sodom; he wrestled with Jacob; he showed Moses his person, though not his face; he dictated the minutest police regulations and the dimensions of the tabernacle and its furniture, to the Israelites; he insisted on and delighted in sacrifices and burnt-offerings; he was angry, jealous, and revengeful, as well as wavering and irresolute; he allowed Moses to reason him out of his fixed resolution utterly to destroy his people; he commanded the performance of the most shocking and hideous acts of cruelty and barbarity. He hardened the heart of Pharaoh; he repented of the evil that he had said he would do unto the people of Nineveh; and he did it not, to the disgust and anger of Jonah.

Such were the popular notions of the Deity; and either the priests had none better, or took little trouble to correct these notions; or the popular intellect was not enough enlarged to enable them to entertain any higher conceptions of the Almighty.

But such were not the ideas of the intellectual and enlightened few among the Hebrews. It is certain that they possessed a knowledge of the true nature and attributes of God; as the same class of men did among the other nations--Zoroaster, Menu, Confucius, Socrates, and Plato. But their doctrines on this subject were esoteric; they did not communicate them to the people at large, but only to a favored few; and as they were communicated in Egypt and India, in Persia and Phœnicia, in Greece and Samothrace, in the greater mysteries, to the Initiates.

The communication of this knowledge and other secrets, some of which are perhaps lost, constituted, under other names, what we now call Masonry, or Free or Frank-Masonry. That knowledge was, in one sense, the Lost Word, which was made known to the Grand Elect, Perfect, and Sublime Masons. It would be folly to pretend that the forms of Masonry were the same in those ages as they are now. The present name of the Order, and its titles, and the names of the Degrees now in use, were not then known. Even Blue Masonry cannot trace back its authentic history, with its present Degrees, further than the year 1700, if so far. But, by whatever name it was known in this or the other country, Masonry existed as it now exists, the same in spirit and at heart, not only when Solomon builded the temple, but centuries before--before even the first colonies emigrated into Southern India, Persia, and Egypt, from the cradle of the human race.

The Supreme, Self-existent, Eternal, All-wise, All-powerful, Infinitely Good, Pitying, Beneficent, and Merciful Creator and Preserver of the Universe was the same, by whatever name he was called, to the intellectual and enlightened men of all nations. The name was nothing, if not a symbol and representative hieroglyph of his nature and attributes. The name AL represented his remoteness above men, his inaccessibility; BAL and BALA, his might; ALOHIM, his various potencies; IHUH, existence and the generation of things. None of his names, among the Orientals, were the symbols of a divinely infinite love and tenderness, and all-embracing mercy. As MOLOCH or MALEK he was but an omnipotent monarch, a tremendous and irresponsible Will; as ADONAÏ, only an arbitrary LORD and Master; as AL Shadaï, potent and a DESTROYER.

To communicate true and correct ideas in respect of the Deity was one chief object of the mysteries. In them, Khu_ru_m the King, and Khu_ru_m the Master, obtained their knowledge of him and his attributes; and in them that knowledge was taught to Moses and Pythagoras.

Wherefore nothing forbids you to consider the whole legend of this Degree, like that of the Master's, an allegory, representing the perpetuation of the knowledge of the True God in the sanctuaries of initiation. By the subterranean vaults you may understand the places of initiation, which in the ancient ceremonies were generally under ground. The Temple of Solomon presented a symbolic image of the Universe; and resembled, in its arrangements and furniture, all the temples of the ancient nations that practised the mysteries. The system of numbers was intimately connected with their religions and worship, and has come down to us in Masonry; though the esoteric meaning with which the numbers used by us are pregnant is unknown to the vast majority of those who use them. Those numbers were especially employed that had a reference to the Deity, represented his attributes, or figured in the frame-work of the world, in time and space, and formed more or less the bases of that frame-work. These were universally regarded as sacred, being the expression of order and intelligence, the utterances of Divinity Himself.

The Holy of Holies of the Temple formed a cube; in which, drawn on a plane surface, there are 4+3+2=9 lines visible, and three sides or faces. It corresponded with the number four, by which the ancients presented Nature, it being the number of substances or corporeal forms, and of the elements, the cardinal points and seasons, and the secondary colors. The number three everywhere represented the Supreme Being. Hence the name of the Deity, engraven upon the triangular plate, and that sunken into the cube of agate, taught the ancient Mason, and teaches us, that the true knowledge of God, of His nature and His attributes, is written by Him upon the leaves of the great Book of Universal Nature, and may be read there by all who are endowed with the requisite amount of intellect and intelligence. This knowledge of God, so written there, and of which Masonry has in all ages been the interpreter, is the Master Mason's Word.

Within the Temple, all the arrangements were mystically and symbolically connected with the same system. The vault or ceiling, starred like the firmament, was supported by twelve columns, representing the twelve months of the year. The border that ran around the columns represented the zodiac, and one of the twelve celestial signs was appropriated to each column. The brazen sea was supported by twelve oxen, three looking to each cardinal point of the compass.

And so in our day every Masonic Lodge represents the Universe. Each extends, we are told, from the rising to the setting sun, from the South to the North, from the surface of the Earth to the Heavens, and from the same to the centre of the globe. In it are represented the sun, moon, and stars; three great torches in the East, West, and South, forming a triangle, give it light; and, like the Delta or Triangle suspended in the East, and inclosing the Ineffable Name, indicate, by the mathematical equality of the angles and sides, the beautiful and harmonious proportions which govern in the aggregate and details of the Universe; while those sides and angles represent, by their number, three, the Trinity of Power, Wisdom, and Harmony, which presided at the building of this marvellous work, These three great lights also represent the great mystery of the three principles, of creation, dissolution or destruction, and reproduction or regeneration, consecrated by all creeds in their numerous Trinities.

The luminous pedestal, lighted by the perpetual flame within, is a symbol of that light of Reason, given by God to man, by which he is enabled to read in the Book of Nature the record of the thought, the revelation of the attributes of the Deity.

The three Masters, Adoniram, Joabert, and Stolkin, are types of the True Mason, who seeks for knowledge from pure motives, and that he may be the better enabled to serve and benefit his fellow-men; while the discontented and presumptuous Masters who were buried in the ruins of the arches represent those who strive to acquire it for unholy purposes, to gain power over their fellows, to gratify their pride, their vanity, or their ambition.

The Lion that guarded the Ark and held in his mouth the key wherewith to open it, figuratively represents Solomon, the Lion of the Tribe of Judah, who preserved and communicated the key to the true knowledge of God, of His laws, and of the profound mysteries of the moral and physical Universe.

ENOCH [‏ו ?X?Wןכ‎ Khano_c], we are told, walked with God three hundred years, after reaching the age of sixty-five--"walked with God, and he was no more, for God had taken him." His name signified in the Hebrew, INITIATE or INITIATOR. The legend of the columns, of granite and brass or bronze, erected by him, is probably symbolical. That of bronze, which survived the flood, is supposed to symbolize the mysteries, of which Masonry is the legitimate successor--from the earliest times the custodian and depository of the great philosophical and religious truths, unknown to the world at large, and handed down from age to age by an unbroken current of tradition, embodied in symbols, emblems, and allegories.

The legend of this Degree is thus, partially, interpreted. It is of little importance whether it is in anywise historical. For its value consists in the lessons which it inculcates, and the duties which it prescribes to those who receive it. The parables and allegories of the Scriptures are not less valuable than history. Nay, they are more so, because ancient history is little instructive, and truths are concealed in and symbolized by the legend and the myth.

There are profounder meanings concealed in the symbols of this Degree, connected with the philosophical system of the Hebrew Kabalists, which you will learn hereafter, if you should be so fortunate as to advance. They are unfolded in the higher Degrees. The lion [‏ו ?A?R?Y‎, ‏ו ?A?R?Y?H‎, Arai, Araiah, which also means the altar] still holds in his mouth the key of the enigma of the sphynx.

But there is one application of this Degree, that you are now entitled to know; and which, remembering that Khu_ru_m, the Master, is the symbol of human freedom, you would probably discover for yourself.

It is not enough for a people to gain its liberty. It must secure it. It must not intrust it to the keeping, or hold it at the pleasure, of any one man. The keystone of the Royal Arch of the great Temple of Liberty is a fundamental law, charter, or constitution; the expression of the fixed habits of thought of the people, embodied in a written instrument, or the result of the slow accretions and the consolidation of centuries; the same in war as in peace; that cannot be hastily changed, nor be violated with impunity, but is sacred, like the Ark of the Covenant of God, which none could touch and live.

A permanent constitution, rooted in the affections, expressing the will and judgment, and built upon the instincts and settled habits of thought of the people, with an independent judiciary, an elective legislature of two branches, an executive responsible to the people, and the right of trial by jury, will guarantee the liberties of a people, if it be virtuous and temperate, without luxury, and without the lust of conquest and dominion, and the follies of visionary theories of impossible perfection.

Masonry teaches its Initiates that the pursuits and occupations of this life, its activity, care, and ingenuity, the predestined developments of the nature given us by God, tend to promote His great design, in making the world; and are not at war with the great purpose of life. It teaches that everything is beautiful in its time, in its place, in its appointed office; that everything which man is put to do, if rightly and faithfully done, naturally helps to work out his salvation; that if he obeys the genuine principles of his calling, he will be a good man: and that it is only by neglect and non-performance of the task set for him by Heaven, by wandering into idle dissipation, or by violating their beneficent and lofty spirit, that he becomes a bad man. The appointed action of life is the great training of Providence; and if man yields himself to it, he will need neither churches nor ordinances, except for the expression of his religious homage and gratitude.

For there is a religion of toil. It is not all drudgery, a mere stretching of the limbs and straining of the sinews to tasks. It has a meaning and an intent. A living heart pours life-blood into the toiling arm; and warm affections inspire and mingle with man's labors. They are the home affections. Labor toils a-field, or plies its task in cities, or urges the keels of commerce over wide oceans; but home is its centre; and thither it ever goes with its earnings, with the means of support and comfort for others; offerings sacred to the thought of every true man, as a sacrifice at a golden shrine. Many faults there are amidst the toils of life; many harsh and hasty words are uttered; but still the toils go on, weary and hard and exasperating as they often are. For in that home is age or sickness, or helpless infancy, or gentle childhood, or feeble woman, that must not want. If man had no other than mere selfish impulses, the scene of labor which we behold around us would not exist.

The advocate who fairly and honestly presents his case, with a feeling of true self-respect, honor, and conscience, to help the tribunal on towards the right conclusion, with a conviction that God's justice reigns there, is acting a religious part, leading that day a religious life; or else right and justice are no part of religion. Whether, during all that day, he has once appealed, in form or in terms, to his conscience, or not; whether he has once spoken of religion and God, or not; if there has been the inward purpose, the conscious intent and desire, that sacred justice should triumph, he has that day led a good and religious life, and made a most essential contribution to that religion of life and of society, the cause of equity between man and man, and of truth and right action in the world.

Books, to be of religious tendency in the Masonic sense, need not be books of sermons, of pious exercises, or of prayers. What-ever inculcates pure, noble, and patriotic sentiments, or touches the heart with the beauty of virtue, and the excellence of an up-right life, accords with the religion of Masonry, and is the Gospel of literature and art. That Gospel is preached from many a book and painting, from many a poem and fiction, and review and newspaper; and it is a painful error and miserable narrowness, not to recognize these wide-spread agencies of Heaven's providing; not to see and welcome these many-handed coadjutors, to the great and good cause. The oracles of God do not speak from the pulpit alone.

There is also a religion of society. In business, there is much more than sale, exchange, price, payment; for there is the sacred faith of man in man. When we repose perfect confidence in the integrity of another; when we feel that he will not swerve from the right, frank, straightforward, conscientious course, for any temptation; his integrity and conscientiousness are the image of God to us; and when we believe in it, it is as great and generous an act, as when we believe in the rectitude of the Deity.

In gay assemblies for amusement, the good affections of life gush and mingle. If they did not, these gathering-places would be as dreary and repulsive as the caves and dens of outlaws and robbers. When friends meet, and hands are warmly pressed, and the eye kindles and the countenance is suffused with gladness, there is a religion between their hearts; and each loves and worships the True and Good that is in the other. It is not policy, or self-interest, or selfishness that spreads such a charm around that meeting, but the halo of bright and beautiful affection.

The same splendor of kindly liking, and affectionate regard, shines like the soft overarching sky, over all the world; over all places where men meet, and walk or toil together; not over lovers' bowers and marriage-altars alone, not over the homes of purity and tenderness alone; but over all tilled fields, and busy workshops, and dusty highways, and paved streets. There is not a worn stone upon the sidewalks, but has been the altar of such offerings of mutual kindness; nor a wooden pillar or iron railing against which hearts beating with affection have not leaned. How many soever other elements there are in the stream of life flowing through these channels, that is surely here and everywhere; honest, heartfelt, disinterested, inexpressible affection.

Every Masonic Lodge is a temple of religion; and its teachings are instruction in religion. For here are inculcated disinterestedness, affection, toleration, devotedness, patriotism, truth, a generous sympathy with those who suffer and mourn, pity for the fallen, mercy for the erring, relief for those in want, Faith, Hope, and .Charity. Here we meet as brethren, to learn to know and love each other. Here we greet each other gladly, are lenient to each other's faults, regardful of each other's feelings, ready to relieve each other's wants. This is the true religion revealed to the ancient patriarchs; which Masonry has taught for many centuries, and which it will continue to teach as long as time endures. If unworthy passions, or selfish, bitter, or revengeful feelings, contempt, dislike, hatred, enter here, they are intruders and not welcome, strangers uninvited, and not guests.

Certainly there are many evils and bad passions, and much hate and contempt and unkindness everywhere in the world. We cannot refuse to see the evil that is in life. But all is not evil. We still see God in the world. There is good amidst the evil. The hand of mercy leads wealth to the hovels of poverty and sorrow. Truth and simplicity live amid many wiles and sophistries. There are good hearts underneath gay robes, and under tattered garments also.

Love clasps the hand of love, amid all the envyings and distractions of showy competition; fidelity, pity, and sympathy hold the long night-watch by the bedside of the suffering neighbor, amidst the surrounding poverty and squalid misery. Devoted men go from city to city to nurse those smitten down by the terrible pestilence that renews at intervals its mysterious marches. Women well-born and delicately nurtured nursed the wounded soldiers in hospitals, before it became fashionable to do so; and even poor lost women, whom God alone loves and pities, tend the plague-stricken with a patient and generous heroism. Masonry and its kindred Orders teach men to love each other, feed the hungry, clothe the naked, comfort the sick, and bury the friendless dead. Everywhere God finds and blesses the kindly office, the pitying thought, and the loving heart.

There is an element of good in all men's lawful pursuits and a divine spirit breathing in all their lawful affections. The ground on which they tread is holy ground. There is a natural religion of life, answering, with however many a broken tone, to the religion of nature. There is a beauty and glory in Humanity, in man, answering, with however many a mingling shade, to the loveliness of soft landscapes, and swelling hills, and the wondrous glory of the starry heavens.

Men may be virtuous, self-improving, and religious in their employments. Precisely for that, those employments were made. All their social relations, friendship, love, the ties of family, were made to be holy, They may be religious, not by a kind of protest and resistance against their several vocations; but by conformity to their true spirit. Those vocations do not exclude religion; but demand it, for their own perfection. They may be religious laborers, whether in field or factory; religious physicians, lawyers, sculptors, poets, painters, and musicians. They may be religions in all the toils and in all the amusements of life. Their life may be a religion; the broad earth its altar; its incense the very breath of life; its fires ever kindled by the brightness of Heaven.

Bound up with our poor, frail life, is the mighty thought that spurns the narrow span of all visible existence. Ever the soul reaches outward, and asks for freedom. It looks forth from the narrow and grated windows of sense, upon the wide immeasurable creation; it knows that around it and beyond it lie outstretched the infinite and everlasting paths.

Everything within us and without us ought to stir our minds to admiration and wonder. We are a mystery encompassed with mysteries. The connection of mind with matter is a mystery; the wonderful telegraphic communication between the brain and every part of the body, the power and action of the will. Every familiar step is more than a story in a land of enchantment. The power of movement is as mysterious as the power of thought. Memory, and dreams that are the indistinct echoes of dead memories are alike inexplicable. Universal harmony springs from infinite complication. The momentum of every step we take in our dwelling contributes in part to the order of the Universe. We are connected by ties of thought, and even of matter and its forces, with the whole boundless Universe and all the past and coming generations of men.

The humblest object beneath our eye as completely defies our scrutiny as the economy of the most distant star. Every leaf and every blade of grass holds within itself secrets which no human penetration will ever fathom. No man can tell what is its principle of life. No man can know what his power of secretion is. Both are inscrutable mysteries. Wherever we place our hand we lay it upon the locked bosom of mystery. Step where we will, we tread upon wonders. The sea-sands, the clods of the field, the water-worn pebbles on the hills, the rude masses of rock, are traced over and over, in every direction, with a hand-writing older and more significant and sublime than all the ancient ruins, and all the overthrown and buried cities that past generations have left upon the earth; for it is the handwriting of the Almighty.

A Mason's great business with life is to read the book of its teaching; to find that life is not the doing of drudgeries, but the hearing of oracles. The old mythology is but a leaf in that book; for it peopled the world with spiritual natures; and science, many-leaved, still spreads before us the same tale of wonder.

We shall be just as happy hereafter, as we are pure and up-right, and no more, just as happy as our character prepares us to be, and no more. Our moral, like our mental character, is not formed in a moment; it is the habit of our minds; the result of many thoughts and feelings and efforts, bound together by many natural and strong ties. The great law of Retribution is, that all coming experience is to be affected by every present feeling; every future moment of being must answer for every present moment; one moment, sacrificed to vice, or lost to improvement, is forever sacrificed and lost; an hour's delay to enter the right path, is to put us back so far, in the everlasting pursuit of happiness; and every sin, even of the best men, is to be thus answered for, if not according to the full measure of its ill-desert, yet according to a rule of unbending rectitude and impartiality.

The law of retribution presses upon every man, whether he thinks of it or not. It pursues him through all the courses of life, with a step that never falters nor tires, and with an eye that never sleeps. If it were not so, God's government would not be impartial; there would be no discrimination; no moral dominion; no light shed upon the mysteries of Providence.

Whatsoever a man soweth, that, and not something else, shall he reap. That which we are doing, good or evil, grave or gay, that which we do to-day and shall do to-morrow; each thought, each feeling, each action, each event; every passing hour, every breathing moment; all are contributing to form the character, according to which we are to be judged. Every particle of influence that goes to form that aggregate,--our character,--will, in that future scrutiny, be sifted out from the mass; and, particle by particle, with ages perhaps intervening, fall a distinct contribution to the sum of our joys or woes. Thus every idle word and idle hour will give answer in the judgment.

Let us take care, therefore, what we sow. An evil temptation comes upon us; the opportunity of unrighteous gain, or of unhallowed indulgence, either in the sphere of business or pleasure, of society or solitude. We yield; and plant a seed of bitterness and sorrow. To-morrow it will threaten discovery. Agitated and alarmed, we cover the sin, and bury it deep in falsehood and hypocrisy. In the bosom where it lies concealed, in the fertile soil of kindred vices, that sin dies not, but thrives and grows; and other and still other germs of evil gather around the accursed root; until, from that single seed of corruption, there springs up in the soul all that is horrible in habitual lying, knavery, or vice. Loathingly, often, we take each downward step; but a frightful power urges us onward; and the hell of debt, disease, ignominy, or remorse gathers its shadows around our steps even on earth; and are yet but the beginnings of sorrows. The evil deed may be done in a single moment; but conscience never dies, memory never sleeps; guilt never can become innocence; and remorse can never whisper peace.

Beware, thou who art tempted to evil! Beware what thou layest up for the future! Beware what thou layest up in the archives of eternity! Wrong not thy neighbor! lest the thought of him thou injurest, and who suffers by thy act, be to thee a pang which years will not deprive of its bitterness! Break not into the house of innocence, to rifle it of its treasure; lest when many years have passed over thee, the moan of its distress may not have died away from thine ear! Build not the desolate throne of ambition in thy heart; nor be busy with devices, and circumventings, and selfish schemings; lest desolation and loneliness be on thy path, as it stretches into the long futurity! Live not a useless, an impious, or an injurious life! for bound up with that life is the immutable principle of an endless retribution, and elements of God's creating, which will never spend their force, but continue ever to unfold with the ages of eternity. Be not deceived! God has formed thy nature, thus to answer to the future. His law can never be abrogated, nor His justice eluded; and forever and ever it will be true, that "Whatsoever a man soweth, that also he shall reap." 



Tuesday, February 7, 2012

Hippolyto Joseph da Costa (1774-1823)

    The 
           History of the 
       Dionysian 
                  Artificers 
                                                    (Excerpt)

The mysteries of the ancients, and the associations in which their doctrines were taught, have hardly been considered in modern times, but with a view to decry and ridicule them. The systems of ancient mythology have been treated as monstrous absurdities, debasing the human reason, conducting to idolatry, and favouring depravity of manners. However, they deserve attention, if the motives of their inventors, rather than the profligacy and ignorance of their corruptors be contemplated. When men were deprived of the light of revelation, those who formed systems of morality to guide their fellow creatures, according to the dictates of improved reason, deserved the thanks of mankind, however deficient those systems might be, or time may have altered them; respect, not derision, ought to attend the efforts of those good men; though their labours might have proved unavailing. In this point of view must be considered an association, traced to the most remote antiquity, and preserved through numberless viscissitudes, yet retaining the original marks of its foundation, scope, and tenets. It appears, that, at a very early period, some contemplative men were desirous of deducting from the observation of nature, moral rules for the conduct of mankind. Astronomy was the science selected for this purpose; architecture was afterwards called an aid of this system; and its followers formed a society or sect, which will be the object of this enquiry.

The continuity of this system will be found sometimes broken, a natural effect of conflicting theories, of the alteration of manners, and of change of circumstances, but it will make its appearances at different periods, and the same truth will be seen constantly. The importance of calculating with precision the seasons of the year, to regulate agricultural pursuits, navigation, and other necessary avocations in life, must have made the science of astronomy an object of great care, in the government of all civilized nations; and the prediction of eclipses, and other phenomena, must have obtained for the learned in this science, such respect and veneration from the ignorant multitude, as to render it extremely useful to legislators, in framing laws for regulating the moral conduct of their people.

The laws of nature and the moral rules deducted from them were explained in allegorical histories, which we call fables, and those allegorical histories were impressed in the memory by symbolical ceremonies denominated mysteries, and which, though afterwards misunderstood and misapplied, contain systems of the most profound, the most sublime, and the most useful theory of philosophy.

Amongst those mysteries are peculiary remarkable the Eleusinian. Dionysius, Bacchus, Orisis, Adonis, Thamuz, Apollo, etc., were names adopted in various languages, and in several countries, to designate the Divinity, who was the object of those ceremonies, and it is generally admitted that the sun was meant by these several denominations. Let us begin with a fact, not disputed, that in these ceremonies, a death and resurrection was represented, and that the interval between death and resurrection was sometimes three days, sometimes fifteen days.
Now, by the concurrent testimony of all ancient authors, the deities called Osiris, Adonis, Bacchus, &c. were names given to, or types, representing the sun, considered in different situations, and contemplated under various points of view.
Therefore, these symbolic representations, which described the sun as dead, that is to say, hidden for three days under the horizon, must have originated in a climate, where the sun, when in the lower hemisphere, is, at a certain season of the
year, concealed for three days from the view of the inhabitants.

Such climate is, in fact, to be found as far north as latitude 66°, and it is reasonable to conclude, that, from a people living near the polar circle, the worship of the sun, with such ceremonies, must have originated; and some have supposed that this people were the Atlantides. The worship of the sun is generally traced to Mitraic rites, and those invented by the Magi of Persia. But if the sun could be made an object of veneration, if the preservation of fire could be thought deserving of religious ceremonies, it is more natural that it should be with a people living in a frozen clime, to whom the sun is the greatest comfort, whose absence under the horizon for three days is a deplorable event, and whose appearance above the horizon a real source of joy.

Not so in Persia, where the sun is never hidden for three days together under the horizon, and where its piercing rays are so far from being a source of pleasure, that to be screened from them, to enjoy cool shades, is one of those comforts, to obtain which all the ingenuity of art is exerted. The worship, therefore, of the sun, and the keeping sacred fires, must have been a foreign introduction into Persia.

The conjecture is strengthened by some important facts, which, referring to astronomical, allusions, place the scene out of Persia, though the theory is found there. In the Boun Dehesch (translated by Anquetil Du Perron page 400) we find, that "the longest day of the summer is equal to the two shortest of the winter; and that the longes night in the winter is equal to the two shortest nights in summer."
This circumstance can only take place at the latitude of 49° 20', where the longest day of the year is of sixteen hours ten minutes, and the shortest of eight hours five minutes. This latitude is far beyond the limits of Persia, where history places Zoroaster, to whom the sacred doctrines; of the Persian book Boun Dehesch are attributed. This proportion, then, of days and nights, as a general rule could only be true in Scythia, whether at the sources of the Irtisch, the Oby, the Jenisci, or the Slinger.


We know nothing of the antient history of those Scythians or Massagetes, but we know that they disputed their antiquity with the Egyptians, and that the above principle, though attributed to the Persian Zoroaster, is only applicable to the country of those Scythians. But let the origin of the mysteries of the sun begin where it may, they were celebrated in Greece, in various places, amongst others, at Appollonia, a city dedicated to Apollo, and situated in latitude 41° 22'. 2 In this latitude the longest day has fifteen hours, differing three hours from the length of the day when the sun is on the equinoxial: the reverse is the case with the nights. This circumstance will account for the preservation of three days in these mysteries, even when celebrated in Greece, and also for the fifteen days, or representation of the number of fifteen in some of the Eleusinian rites. The mysterious numbers were employed to designate such and similar operations of nature, for it is said that the Pythagorean symbols and secrets were borrowed from the Orphic or Eleusinian rites; and that they consisted in the study of the sciences and useful arts, united with theology and ethics, and were communicated in cyphers and symbols.  Similar intimations, as to the mystic import of numbers are found in many other authors.

The letters, representing numbers formed cabalistic names, expressive of the essential qualities of those things they meant to represent; and even the Greeks, when they translated foreign names, whose cabalistic import they knew, so they rendered them by Greek letters, as to preserve the same interpretation in numbers, which we find exemplified in the name Nile. But in the number three to which so many mystical and moral allusions were made, had a reference to the three celestial circles, two of which the sun touches, passing over the third in its annual course.

The mysteries of Eleusis, the same as those of Dionysius or Bacchus, were supposed by some to have been introduced into Greece by Orpheus:  they may have come there from Egypt, but Egypt may have received them at a previous period from the Persians, and these again from the Scythians; but taking them only as we find them in Greece, we will give here an outline of their ceremonies.

The aspirant for these mysteries was not admitted a candidate till he had arrived at a certain age, and particular persons were appointed to examine and prepare him for the rites of initiation.  Those, whose conduct was found irregular, or who had been guilty of attrocious crimes, were rejected, those found worthy of admittance were then instructed by significant symbols in the principles of society.

At the ceremony of admission into these mysteries, the candidate was first shown into a dark room, called the mystical chapel.  There certain questions were put to him. When introduced, the holy book was brought forward, from between two pillars or stones: he was rewarded by the vision:  a multitude of extraordinary lights were presented to him, some of which are worthy of particular remark.

He stood on a sheep skin; the person opposite was called the revealer of sacred things  and he was also clothed in a sheep skin or with a veil of purple, and on his right shoulder a mule skin spotted or variegated, representing the rays of the sun and stars. At a certain distance stood the torch-bearer,  who represented the sun; and beside the altar was a third person, who represented the moon.

Thus we perceive, that over those assemblies presided three persons, in different employments, and we may remark, that in the government of the caravans in the eastern countries, three persons also direct them, though there are five principal officers, besides the three mathematicians; those three persons are, the commander in chief, who rules all; the captain of the march, who has the ruling power, as long as the caravan moves; and the captain of the rest, or refreshment, who assumes the government, as soon as the caravan stops to refresh.  Some authors have observed the same division of power, in the march of the Israelites through the wilderness, and consider Moses as the captain general, Joshua the captain of the march; and perhaps Aaron as the captain of the rest. The society of which we are speaking, was ruled by three persons, with different duties assigned to them, by a custom of the most remote antiquity. The mysteries, however, were not communicated at once, but by gradations, in three different parts. The business of the initiation, properly speaking was divided into five sections, as we find in a passage of Theo, who compares philosophy to those mystic rites.

These ceremonies, thus far, appear to contain the lesser mysteries, or the first and second stages of the candidate in his progress through the course of his initiations. There was, however, a third stage, when the candidate, himself, was made symbolically to approach death, and then return to life. In this third stage of the ceremony, the candidate was stretched upon the couch, to represent his death.

As to the festivities, in which those mysteries were celebrated, we find that on the 17th of the month Athyr  the images of Osiris were enclosed in a coffin or ark: on the 18th was the search;  and on the 19th was the finding.
Thug in fables or symbolical histories, relating to these mysteries, we find Adonis slain and resuscitated; the Syrian women weeping for Thamuz, etc.

Let us now examine what was meant by this symbolical death and resurrection, or by certain personages, said to have visited the Hades, and returning up again. It appears that this type in all its various forms and denominations, indicated the sun passing to the lower hemisphere, and coming again to the upper. The Egyptians, who observed this worship of the sun, under the name of Osiris, represented the sun in the figure of an old man, just before the winter solstice, and typified him by Serapis, having the constellation of Leo opposite to him, the Serpent or Hydra under him, the Wolf on the east of the Lion, and the Dog on the west. This is the state of the southern hemisphere at midnight about that period of the year.

The same Egyptians represented the sun by the boy Harpocrates, at the vernal equinox; and then was the festivity of the death, burial, and resurrection of Osiris; that is to say, the sun in the lower hemisphere; just coming up, and rising above in the upper hemisphere. In this upper situation the sun was called Horus, Mithras, etc. and hailed as sol invictus. We will now point out some other symbols to express the same phenomena, though different from those types we are treating of at present. In the Mithraical astronomical monuments, where the figure of a man is represented conquering and killing a bull, there are two figures by their sides with torches; one pointing downwards, the other, upwards. These monuments, where the mysteries in question were depicted, the man killing and conquering the bull, represent the sun, passing to the upper hemisphere, through the sign of Taurus, which in that remote period (four thousand six hundred years before our era) was the equinoxal sign. The two torch-bearers, the one pointing his torch downwards, the other upwards, represent the sun passing down to the lower hemisphere, and coming up again.

At the remote time before alluded to, the sun entered the sign Taurus, at the summer equinox, and the year was begun at this period among the Egyptian astronomers. Afterwards, in consequence of the precession of the equinoxes, the summer equinox took place in the sign of Aries; hence part of the Egyptians transferred their worship from the bull or calf to the ram;  while others continued to worship the bull.  We may explain this in the language of our modern astronomers by saying, that some of the learned Egyptians continued to reckon by the moveable zodiac, while others reckoned the year by the fixed zodiac; and this circumstance produced a division of sects in the people, as it was a division of opinion, amongst the learned.

Likewise, by the same precession of the equinoxes, the sun passed from Aries to Pisces in the vernal equinox, about three hundred and thirty eight years before our era; yet the beginning of the year continued to be reckoned from Aries. If the Egyptian astronomy and Egyptian religion had then existed with the same vigour, both would have perhaps suffered a similar alteration; but the Egyptian systems were at that period nearly annihilated. We may observe, however, that the Christians, at the beginning of our era, marked their tombs; with fishes, as an emblem of Christianity, to distinguish their sepulchers from those of the heathens, by a symbol unknown to them.

Returning from this short digression to our immediate purpose, we have to observe, that if those ceremonies and symbols were meant to represent the sun, and the laws of its motions, these very phenomena of nature were studied with a moral view, as being themselves types or arguments to a more sublime or metaphysical philosophy; and the moral rules therefrom deducted, were impressed on the memory by those lively images and representations. The emerging of the sun into the lower hemisphere, and its returning, was contemplated either as a proof or as a symbol of the immortality of the soul; one of the most important, as well as the most sublime tenets of the Platonic Philosophy.
The doctrines of the spirituality and immortality of the soul, explained by those symbols, were very little understood, even by the initiated; thus we find some of them took those types to signify merely the present body, by their descriptions of the infernal abodes; whereas, the true meaning of these mysteries inculcated the doctrine of a future state of the soul, and future rewards and punishments; and that such were the doctrines of those philosophers is shown by many and indisputable authorities.

The union of the soul with the body was considered as the death of the soul; its; separation as the resurrection of the soul; 3 and such ceremonies and types were intended to impress the doctrine of the immersion of the soul into matter as is well attested. By the emblem of the sun descending into the lower hemisphere was also represented the soul of the man, who through ignorance and uncultivation, was in a state compared to sleep, or almost dead; which mystery was intended to stimulate man to the learning of sciences.

The Egyptians also considered matter as a species of mud or mire, in which the soul was immerged; and in an ancient author we find a recapitulation of these theories in the same sense. The Persians, who followed the tenets of Zerdoust, called by the Greeks Zoroaster, having received the same doctrines upon the mystical contemplation of the sun, made also the same metaphysical application to the soul, of the passage of the sun through the signs; of the zodiac. The sun, moreover, was considered as the symbol of the active principle; whereas the moon and earth were symbols of the passive. The sun itself, considering its beneficial influence in the physical world, was chosen as; the symbol of the Deity, though afterwards taken by the vulgar as a Deity.


It must be here particularly observed, that the different names, which the Egyptians (from whom the Greeks learnt them) gave to God, instead of meaning several gods were only expressions of the different productive effects of the only one God.  Not very different from what the Jews derive from the great name Tetragramaton. The fables, allegories, and types of the ancients, being of three classes,  import some times various meanings; therefore, some of the ceremonies to which sublime import is attached, are also applied to typify less dignified operations, in the natural system. Thus, for instance, the fable of Proserpine, which alludes to the immersion of the soul into the body, was also employed to symbolize the operation of the seed in the ground. But the general doctrine of Plato of the descent of the soul into the darkness; of the body, the perils of the passions, the torments of vices, appears to be perfectly described by Virgil;  though this Poet was of the Epicurean sect, the most fashionable in his days.

The lesser mysteries represented, as we have seen, the descent of the soul into the body, and the pains therein suffered. The greater mysteries were intended to typify the splendid visions, or the happy state of the soul, both here and hereafter, when purified from the defilements of material nature. These doctrines are also inculcated, by the fables of the fortunate islands, the Elysian fields. The different purifications in these rites were symbols of the gradation of virtues, necessary to the re-ascent of the soul. Inward purity, of which external purifications were symbols, can only be obtained by the exercise of these virtues. To the allusion of these virtues must be understood what Socrates says,  that it is the business of the philosophers to study to die and to be themselves death; and as at the same time he reprobates suicide, such death cannot mean any other but philosophical death, or the exercise of what he calls the cathartic virtues.




If such was the meaning and import of the Eleusinian and Dionysian rites, symbols, and ceremonies, it must be allowed that a society or sect, which was employed in the contemplation of such sublime truths, cannot be looked upon as trifling or profligate. The very Christian Fathers, who so strongly attacked the Pagan religion, confessed the utility of these symbols;  and that the circumstances previous to initiation into those mysteries, tended to exclude impious notions, and prepare the mind to hear the truth. Those mysteries were concealed from the vulgar; because it would be a ridiculous prostitution of such sublime theories to disclose them to the multitude incapable of understanding them, when even many of the initiates, for want of study and application, did not comprehend the whole meaning of the symbols.

The multitude were told only in the abstract, the doctrine of a future state of rewards and punishments, and were made acquainted with the calendar, the result of astronomical observations; the knowledge of which was connected with their festivities and agricultural pursuits. They were likewise taught other practical parts of science calculated for general use.

The secrecy of these mysteries was the first cause of obloquy against them; next came, beyond doubt, the depravity of their followers, and the perversion of those assemblies into convivial meetings first, and then into the most debauched associations. Secrecy, also, was enjoined by the laws, it was death to reveal any thing belonging to the Eleusinian mysteries; to disclose imprudently any thing about them, was supposed even indecorous; of this we find a very conspicuous; instance in Plutarch. Out of respect for this custom the scholars were, in general, only instructed in the exoteric doctrines.  The acroamatic doctrines were taught only to the few select, by private communication and viva voce.

But when the ignorance of the very teachers of those mysteries caused their forms only to be attended to, the essence was lost, the shadow only remained; and, then, even those forms and ceremonies were frequented by persons, ignorant of their import, and wicked enough to turn them to their private interests, as a machine employed in deceiving the people, and to occasions of debauchery and depravity.