The Comte de St. Germain (1712?-1784)

During the early part of the eighteenth century there appeared in the diplomatic circles of Europe the most baffling personality of history--a man whose life was so near a synonym of mystery that the enigma of his true identity was as insolvable to his contemporaries as it has been to later investigators. The Comte de St.-Germain was recognized as the outstanding scholar and linguist of his day. His versatile accomplishments extended from chemistry and history to poetry and music. He played several musical instruments with great skill and among his numerous compositions was a short opera. He was also an artist of rare ability and the remarkably luminous effects which he created on canvas are believed to have been the result of his mixing powdered mother-of-pearl with his pigments. He gained worldwide distinction for his ability to reproduce in his paintings the original luster of the precious stones appearing upon the costumes of his subjects. His linguistic proficiency verged on the supernatural. He spoke German, English, Italian, Portuguese, Spanish, French with a Piedmontese accent, Greek, Latin, Sanskrit, Arabic, and Chinese with such fluency that in every land he visited he was accepted as a native. He was ambidextrous to such a degree that: he could write the same article with both hands simultaneously. When the two pieces of paper were afterwards placed together with a light behind them, the writing on one sheet exactly covered, letter for letter, the writing on the other.

As a historian, the Comte de St.-Germain possessed uncanny knowledge of every occurrence of the preceding two thousand years, and in his reminiscences he described in intimate detail events of previous centuries in which he had played important rôles. He assisted Mesmer in developing the theory of mesmerism, and in all probability was the actual discoverer of that science. His knowledge of chemistry was so profound that he could remove flaws from diamonds and other precious stones--a feat which he actually performed at the request of Louis XV in 1757. He was also recognized as an art critic without a peer and was often consulted regarding paintings accredited to the great masters. His claim to the possession of the fabled elixir of life was home witness to by Madame de Pompadour, who discovered, she declared, that he had presented a lady of the court with a certain priceless liquid which had had the effect of preserving her youthful vivacity and beauty for over twenty-five years beyond the normal term.

The startling accuracy of his prophetic utterances gained for him no small degree of fame. To Marie Antoinette he predicted the fall of the French monarchy, and he was also aware of the unhappy fate of the royal family years before the Revolution actually took place. The crowning evidence, however, of the Comte's genius was his penetrating grasp of the political situation of Europe and the consummate skill with which he parried the thrusts of his diplomatic adversaries. He was employed by a number of European governments, including the French, as a secret agent, and at all times bore credentials which gave him entrée to the most exclusive circles.

In her excellent monograph, The Comte de St.-Germain, the Secret of Kings, Mrs. Cooper-Oakley lists the most important names under which this amazing person masqueraded between the years 1710 and 1822. "During this time," she writes, "we have M. de St.-Germain as the Marquis de Montferrat, Comte Bellamarre or Aymar at Venice, Chevalier Schoening at Pisa, Chevalier Weldon at Milan and Leipzig, Comte Soltikoff at Genoa and Leghorn, Graf Tzarogy at Schwalbach and Triesdorf, Prinz Ragoczy at Dresden, and Comte de St.-Germain at Paris, The Hague, London, and St. Petersburg." It is evident that M. de St.-Germain adopted these various names in the interests of the political secret service work which historians have presumed to be the major mission of his life.

The Comte de St.-Germain has been described as of medium height, well proportioned in body, and of regular and pleasing features. His complexion was somewhat swarthy and his hair dark, though often shown powdered. He dressed simply, usually in black, but his clothes were well fitting and of the best quality. He had apparently a mania for diamonds, which he wore not only in rings but also in his watch and chain, his snuff box, and upon his buckles. A jeweler once estimated the value of his shoe buckles at 200,000 francs. The Comte is generally depicted as a man in middle life, entirely devoid of wrinkles and free from any physical infirmity. He ate no meat and drank no wine, in fact seldom dined in the presence of any second person. Although he was looked upon as a charlatan and impostor by a few nobles at the French court, Louis XV severely reprimanded a courtier who made a disparaging remark concerning him. The grace and dignity that characterized his conduct, together with his perfect control of every situation, attested the innate refinement and culture of one "to the manner born." This remarkable person also had the surprising and impressive ability to divine, even to the most minute details, the questions of his inquisitors before they were asked. By something akin to telepathy he was also able to feel when his presence was needed in some distant city or state, and it has even been recorded of him that he had the astonishing habit not only of appearing in his own apartment and in those of friends without resorting to the conventionality of the door but also of departing therefrom in a similar manner.

M. de St.-Germain's travels covered many countries. During the reign of Peter III he was in Russia and between the years 1737 and 1742 in the court of the Shah of Persia as an honored guest. On the subject: of his wanderings Una Birch writes: "The travels of the Comte de Saint-Germain covered a long period of years and a great range of countries. From Persia to France and from Calcutta to Rome he was known and respected. Horace Walpole spoke with him in London in 1745; Clive knew him in India in 1756; Madame d'Adhémar alleges that she met him in Paris in 1789, five years after his supposed death; while other persons pretend to have held conversations with him in the early nineteenth century. He was on familiar and intimate terms with the crowned heads of Europe and the honoured friend of many distinguished persons of all nationalities. He is even mentioned in the memoirs and letters of the day, and always as a man of mystery. Frederick the Great, Voltaire, Madame de Pompadour, Rousseau, Chatham, and Walpole, all of whom knew him personally, rivalled each other in curiosity as to his origin. During the many decades in which he was before the world, however, no one succeeded in discovering why he appeared as a Jacobite agent in London, as a conspirator in Petersburg, as an alchemist and connoisseur of pictures in Paris, or as a Russian general at Naples. * * * Now and again the curtain which shrouds his actions is drawn aside, and we are permitted to see him fiddling in the music room at Versailles, gossiping with Horace Walpole in London, sitting in Frederick the Great's library at Berlin, or conducting illuminist meetings in caverns by the Rhine." (See The Nineteenth Century, January, 1908.)